Gil Scott-Heron (born April 1, 1949 - May 27, 2011) was an American poet, musician, and author known primarily for his late 1960s and early 1970s work as a spoken word soul performer and his collaborative work with musician Brian Jackson. His collaborative efforts with Jackson featured a musical fusion of jazz, blues and soul music, as well as lyrical content concerning social and political issues of the time, delivered in both rapping and melismatic vocal styles by Scott-Heron. The music of these albums, most notably Pieces of a Man and Winter in America in the early 1970s, influenced and helped engender later African-American music genres such as hip hop and neo soul. Scott-Heron's recording work is often associated with black militant activism and has received much critical acclaim for one of his most well-known compositions "The Revolution Will Not Be Televised". On his influence, a music writer later noted that "Scott-Heron's unique proto-rap style influenced a generation of hip-hop artists".
Heron's father Gil Heron (1922 - 27 November, 2008) was a Jamaican footballer/soccer player. He was the first black player to play for Scottish club Celtic FC after being invited on a trial in 1951. Heron went on to score on his debut, on August 18, 1951 in a League Cup tie against Morton that Celtic won 2-0.
Home Is Where the Hatred Is" is taken from the 1971 album "Pieces of a Man". It is a melodic, somber composition of the narrator's dangerous and hopeless environment, presumably of the ghetto, and how its effects take a toll on him. Scott-Heron's lyrics demonstrate these themes of social disillusionment and hopelessness in the first verse and the chorus:
Heron's father Gil Heron (1922 - 27 November, 2008) was a Jamaican footballer/soccer player. He was the first black player to play for Scottish club Celtic FC after being invited on a trial in 1951. Heron went on to score on his debut, on August 18, 1951 in a League Cup tie against Morton that Celtic won 2-0.
Home Is Where the Hatred Is" is taken from the 1971 album "Pieces of a Man". It is a melodic, somber composition of the narrator's dangerous and hopeless environment, presumably of the ghetto, and how its effects take a toll on him. Scott-Heron's lyrics demonstrate these themes of social disillusionment and hopelessness in the first verse and the chorus:
No comments:
Post a Comment